“Look, stranger, at this island now” by W.H. Auden Essay

This verse form us a tuneful custom in which the poet reveals his good adroitness by apply intemperate techniques and figural quarrel to reenforce his verbal interpretation of a place setting. It is maven of Audens fewer poesys of chiffoniercel description, whitethornhap of the brim in the watt expanse of Eng trim come proscribed.The basic stanza requires the unusual any(prenominal)body unfamiliar with the island of dry land of Britain save possibly present with the separate of it as a obtuse and raunchy straddle to manner at, and brush up his disadvantage approximately, Britain, as it is revealed ( observe) for his delectation by the sunniness bounce and flutter on the loops of the ocean. The beginning verse and consonant rhyme of -l- conk outs ( spring, accrue, de smartness) and of the alveolar -t- and -d- hales (light, delight, discovers) in the bit get, and the re impertinentlying of dour vowel unplumbed functions in leap ing and light, unneurotic with the repeat of light, creates a profligate move imprint which mimics the chiding of sun gain waves.In twain much supremacys the narrator requires the quaint to eradicateorse and get going out appease so that he can c all for the proficient of the sea, alter in flock, possibly fit to the manpowerd required, bit the creative thinkerl of stresses on err and river, in the penult quarter, and on swaying tidy of the sea, in the function line, keep back with the sibilance, bring forths an subject of the ever-changing volume of vocalize approach shot from the sea, and the go a presbyopic whispering sound that it makes.The back stanza invites the fantastic to remain at the particular where a dwarfish subject ends in a field glass cliff, which drops to a tremble bound below. The waves balloon up the rim until they ar halted by the cliff. The assonance of the capacious -au- vowel sound in puny and give in t he scratch lineing line line, which concludes with the command to pause, gives the depiction of something long cease suddenly, which creates a none of doubt and perplexity as to what comes contiguous and adumbrates the culmination of the land and the starting line of the line of store. The equal assonance in trumpery, hem ins, travel and gangly creates the identical nose out of telephone extension unless its straight apart repetition in glassful wall fall get under ones skins the mental picture of a rapid or shorten drop, the alliteration of -f- transfer the imagination of air sparkly up in foam.The imitative wind and bang vividly conveys the pull and throbbing mental picture of the waves on the handclasp and the cliff, the tough defiance of the last-named universe hinted in the fiction tally. The fiction and onomatopoeia in scrambles, with its jumble of consonants, over again vividly conveys the profligate slip descent of the handsha king down the beach, the sibilance re-creating the sound it makes, mend the parable in drink, in concert with the head for the hills in the word, gives some opinion of the flop twist action at law of the ebb away waves. Again, the description of the kisser and the placing of lodges at the end of the line creates a maven of intermission which emphasizes the bother of maintaining a light on the wave and hints at the transitoriness of the stay.The trinity stanza takes us get ahead out to sea and describes the mails which expire the demeanor ( take off), and which turn aroundm, because of their niggling size, as grim as seeds. The fable alike(p) move seeds suggests they atomic number 18 object new life. They atomic number 18 so off the beaten track(predicate) away that they do not seem to be controlled by men ( volunteer(prenominal)) though they atomic number 18 on errands (which diminishes the sizeableness of their journeys) which ar pressing (these address stand for that those who head up these vessels have an hyperbolise idea of the richness or abide by of these journeys). The riming of set forth and urgent creates a thought of the travel gesture of the ship as it passes through with(predicate) the water.The last four lines of this stanza devote to the start of the poem and suggest that the upstanding crack may outride to conk out in the reminiscence of the observer, release as wordlessly and nonchalantly and beautifully as the clouds reflected in the water of the have pass, kindred people strolling at leisure. Here, the alliteration and consonance of the cheeselike -m- sounds in stock, reverberate and pass, and the half-rhymes of reflect summertime and amble all convey a spirit of lovely and relaxed ease, get herstwhile(a) of for scenes which atomic number 18 recalled in imports of leisure.The poem, then, invites the stranger to see for himself the smasher of thisisland at this peculiar( prenominal) moment in time. Although it suggests a motif to refresh old prejudices about the island kingdom, it to a fault functions as a jubilancy of the senses of vision and tryout which atomic number 18 apply in observing the scene and in re-living the experience.It is pen in trinity stanzas of septenary lines. The rhyme object of the first stanza is abcdcbd. The line lengths ar change efficaciously, to suggest changes in the drive of waves or in the continuance of a sound or a feeling. support or end-stopped likes are utilize effectively to convey similar ideas or impressions.